Residing on the border between poetry and prose, Emma Healey masterfully navigates the tension and balance between the two forms. Her writing examines the animate qualities of seemingly inanimate things and explores personal relationships, collective and individual human experiences, as they are distilled through our encounters with such things as the CBC, chain bookstores, the contents of a kitchen, or the expanse of a whole city. Begin With the End in Mind tests the capabilities of the prose poem–the specific rhythmic, lyrical, and syntactic possibilities of the form, and the opportunities for play, renegotiating the more traditional/technical elements of lyric and line that are afforded the prose poet.
Begin With the End in Mind
These are poems that demand you pay attention. Pithy and persuasive, Healey’s “Heritage Moments”; series in particular knocks out an offbeat version of the Canadian National Anthem that makes me want to rise and place hand over heart. Begin with the End in Mind is strange, seductive, and brainy.
Who needs a tightrope to stroll across Niagara Falls when you have the prose poem–pliable, surreal, infinitely hackable. These poems from Emma Healey signal the arrival of an exciting, nimble, new voice