Residing on the border between poetry and prose, Emma Healey masterfully navigates the tension and balance between the two forms. Her writing examines the animate qualities of seemingly inanimate things and explores personal relationships, collective and individual human experiences, as they are distilled through our encounters with such things as the CBC, chain bookstores, the contents of a kitchen, or the expanse of a whole city. Begin With the End in Mind tests the capabilities of the prose poem—the specific rhythmic, lyrical, and syntactic possibilities of the form, and the opportunities for play, renegotiating the more traditional/technical elements of lyric and line that are afforded the prose poet.
Part of our Literary Collection.
These are poems that demand you pay attention. Pithy and persuasive, Healey’s “Heritage Moments”; series in particular knocks out an offbeat version of the Canadian National Anthem that makes me want to rise and place hand over heart. Begin with the End in Mind is strange, seductive, and brainy.
Emily Schultz, author of Songs for the Dancing Chicken and The Blondes
Who needs a tightrope to stroll across Niagara Falls when you have the prose poem—pliable, surreal, infinitely hackable. These poems from Emma Healey signal the arrival of an exciting, nimble, new voice.
Sina Queyras, author of Expressway and Lemon Hound
Through the lens of Emma Healey’s poetry the narratives by which Canadian identity has been (and continues to be) formed are re-envisioned in powerful and at times poignant poems of profound personal and political import.
Phillip Coleman in “The Penny Dreadful”
|Pages||64 pp (Paper)|
|Dimensions||5″ × 7″ × .25″|
Nico Mara-McKay, in Broken Pencil writes:
These poems dance and ramble, propelled by an earnestness that can’t help but charm. I will await her next collection with alacrity.
- Emma Healey Featured in Writer’s Block on the LPG Blog
Interview July 30th 2013